Inside Laura Kirar’s Restored Hacienda
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Inside Laura Kirar’s Restored Hacienda

The Architectural Renaissance of Hacienda Subín: Where Historic Preservation Meets High-End Interior Design

By Hannah Ashdown | February 20, 2026

Nestled deep within the emerald landscape of the Yucatán Peninsula lies Hacienda Subín, a meticulously restored 17th-century estate that carries the profound weight of over five centuries of regional history.

Originally purchased in 2008 by renowned designer Laura Kirar and her partner Richard Frazier, the vast property became the canvas for an ambitious multi-year preservation endeavor.

Rather than stripping away the weathered traces of time, Kirar and Frazier pursued a restoration strategy that actively polished and preserved the original ruins, allowing the marks of decay, exposed masonry, and aged stucco to define the home's undeniably unique character.

Haciendas were expansive rural estates established across Latin America during the 16th to 18th centuries, serving as central economic engines and architectural symbols of the Spanish colonial era in Mexico.

Typically characterided by thick whitewashed stucco walls, sweeping archways, massive timber support beams, and hand-moulded clay-tiled roofs, these structures were engineered to withstand tropical heat while creating expansive indoor-outdoor living zones.

While countless historical haciendas across the region have ultimately surrendered to dense jungle over centuries of neglect, the historic soul of Hacienda Subín has been carefully safeguarded. The result is a project that honours Mérida’s distinctive architectural lineage while functioning as a serene family retreat and vibrant community gathering space.


"Restoring is an art of listening. At Subín, we didn't want to erase the 300 years of history; we wanted to weave them together. It’s a fusion of Morocco, India, and the Yucatán, filtered through a modern Mexican lens." - Laura Kirar (Yucatán Magazine)

The material palette selected by Kirar and Frazier serves as a deliberate bridge connecting traditional 17th-century construction methods with refined, contemporary minimalism. Every structural addition respects the original architectural vernacular of the Yucatán, celebrating soaring vaulted ceilings, colonnaded arcades, and tranquil open-air courtyards that capture prevailing tropical breezes.

Rather than masking raw exterior surfaces with modern synthetic paints, the team utilised traditional lime washes and mineral pigments. New interventions, such as a striking coral-pink pool pavilion, directly mirror the soft, sun-faded ochres and dusty rose tones uncovered on the estate’s original crumbling walls.

Bathrooms, water features, and flooring integrate chukum, an ancient Mayan plaster technique made from the resin of the indigenous Chukum tree. This natural finish delivers a soft, waterproof, and earthy texture that ages gracefully alongside historical limestone masonry.

Heavy beams and oversized entrance doors crafted from local Zapote and Cedar timber reinforce the authentic structural integrity of the main casona.

Interior design within Hacienda Subín is defined by an intentional dialogue between local craft and global design history. A significant portion of the furnishings, woven textiles, and ceramic pottery found throughout the estate were commissioned directly from Mayan craftspeople across the Yucatán Peninsula or produced through Kirar’s collaborative brand partnerships. Hand-woven hammock seating, hand-carved stone vessels, and bespoke woven sisal rugs celebrate the raw material beauty of the surrounding environment.

By integrating these traditional artisan-made elements alongside refined mid-century modern furniture, Kirar creates a layered interior landscape where distinct centuries coexist without friction. The clean, geometric profiles of mid-century armchairs provide a crisp counterpoint to rough, hand-loomed textiles and patinated masonry walls.

Though firmly rooted in Mexican context, Hacienda Subín reflects a cosmopolitan sensibility influenced by North African and South Asian design philosophy. One dedicated guest suite, for example, pays homage to classic Moroccan architecture through a custom floor layout inspired by the intricate geometric mosaics (zellige) traditional to Marrakesh riads.

Similarly, Indian textile motifs and carved timber elements are seamlessly integrated throughout the living spaces. These international influences do not feel displaced; rather, they echo the historical trade routes that historically connected Spanish Mexico to Asia and North Africa, creating a harmonious global narrative anchored in heat, light, and natural materials.

The spatial layout across Hacienda Subín is marked by deliberate restraint. To accentuate the grand architectural proportions of the original 17th-century halls, Kirar purposefully selected low-slung, low-profile furniture silhouettes. Seating groups sit close to the floor, allowing the viewer's eye to travel upward along soaring, unadorned stucco walls toward heavy timber rafters.

This dramatic vertical volume creates an almost cathedral-like atmosphere of stillness. By resisting the temptation to overcrowd the rooms with high-backed furniture or excessive wall hangings, the architecture itself remains the primary artwork.

A defining hallmark of the interior scheme is the dramatic use of empty space. The majority of the interior walls are left bare, allowing the raw, textured surfaces of aged plaster, exposed limestone, and historical mineral washes to remain the dominant visual feature.

Natural daylight plays a transformative role throughout the day. Soft morning light casts long shadows across broad stone corridors, while bright afternoon sun accentuates the tactile grit of the original walls. This dynamic interplay between sunlight, shadow, and negative space gives the home an ethereal, contemplative quality.

The sensitive restoration of Hacienda Subín stands as an inspiring testament to modern architectural stewardship. It illustrates that living luxuriously does not require erasing the physical history or imperfections of inherited structures.

By balancing historic preservation, indigenous craftsmanship, and thoughtful modern interior design, Laura Kirar and Richard Frazier have created a space that honours the complex heritage of the Yucatán while offering an enduring model for sustainable, conscious living in the modern age.

Images: Hacienda Subin